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Ellen Grevey
DOMESTIC
PROJECTION
Some Space
Between envisions the city as an organism; I see the household as
a smaller organism within it. How is its function altered as society's
networks broaden or dissolve? Urban expansion and the development
of digital communication have changed the nature of human interaction.
What changes occur within the home, does the nuclear family still
exist, and what are the effects of those evolutions? Woman is at
the heart of the domestic sphere, throughout history and across
cultures. The 1970šs feminist movement in the U.S. shattered the
myth, rendering the Donna Reed archetype a nostalgic commodity.
Those glacial rules, regulations, expectations and limitations have
begun to melt away. My generation of American women is in a space
between the rigidity of outdated conventions and a real comfort
with modern circumstances. In my artwork, I use images and icons
from that "woman's world" as expressions of the phenomenon
of betweenness. For the exhibition I presented a large outdoor video
projection of a woman doing housework in 1950's kitchen and attire,
symbolizing the space between inside and outside, past and present,
public and private space. The twenty-foot tall woman rippled over
the old brick exterior of a defunct downtown apartment building,
and slipped through the windows and across interior walls. She gracefully
washed and dried dishes, donned her apron and removed it, oblivious
in her moving-picture world. For the viewer there was a distancing
effect, as in cinema, but due to the nature of the site, also a
sense of history and nostalgia, and of irreversible change.
Ellen
Grevey
ellengrevey@earthlink.net
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